Metro Office

We have collected all the most important information about the Metro Office Regular font.
Below is a table about the font file version, license, copyright, designer and vendor name.
The information is taken from the "TTF" font file.

Full name

Metro Office Regular

Font family

Metro Office

Preferred subfamily

Regular

Font subfamily

Regular

Version

Version 1.20

Trademark

Metro is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

Manufacturer

Linotype GmbH

Designer

Akira Kobayashi and William A. Dwiggins

Designer URL

http://www.linotype.com/fontdesigners

Vendor URL

http://www.linotype.com

License

NOTIFICATION OF LICENSE AGREEMENT You have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees. This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software. General license terms and usage rights can be viewed at www.linotype.com/license. Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license. Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license. Linotype GmbH can be contacted at: Tel.: +49(0)6172 484-418

License URL

http://www.linotype.com/license

Copyright

Copyright © 2006 - 2008 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Metro is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Akira Kobayashi and William A. Dwiggins. The design may be protected in certain jurisdictions.

Description

Every year, more and more text is read directly on a computer screen in office applications, or from freshly printed sheets from a copier or laser printer. Clear, legible text faces are more imperative to office communication than ever before. Yet every worker desires a small bit of personality in the corporate world. Most office environments are only equipped with a few basic fonts that are truly optimized for use in text, with laser printers, and on screen. The Linotype Office Alliance fonts guarantee data clarity. All of the font weights within the individual family have the same character measurements; individual letters or words may have their styles changed without line wrap being affected! All numbers, mathematical signs, and currency symbols are tabular; they share the same set character width, ensuring that nothing stands in the way of clear graph, chart, and table design. In addition to being extremely open and legible, the characters in this collection's fonts also share the same capital letter height and the same x-height. The production and reading of financial reports is duly streamlined with the Linotype Office Alliance fonts. The Metro Office family is designed after the model of the original sans serif family produced by W.A. Dwiggins and Mergenthaler Linotype's design studio during the late 1920s and 1930s. A distinctly new interpretation of the sans serif idea, Metro was a thoroughly "American" sans serif when it was released. However, over the ensuing decades, it became a favorite the world over. Moreover, it is one of the first "humanist" sans serif typefaces designed. While redesigning Metro in 2006, Linotype's Type Director Akira Kobayashi drew from his own knowledge of humanistic letterforms. The result is a redefined Metro; a typeface that is finally ready for heavy text setting. The original Linotype Metro never had italic variants. Kobayashi has created oblique variants, extending its use in document setting. A double-storey a and g, as well as a wider w were features of Dwiggins' original Metro design that were filtered out by Mergenthaler Linotype in the 1930s. Kobayashi remedied this historical slight, retooling Dwiggins' original forms and optimizing their legibility. Kobayashi has additionally retooled some of Metro's more troublesome letters, which has black elements that became too dense. By opening up the troublesome joins (like that on the Q), Kobayashi has given his new Metro a more even color in text, improving its legibility while retaining its original spirit.